
Classic Analog, Modern Workflow.
Infinitely Configurable.
40+ years of console design distilled to perfection
Console ST Features

Routing Flexibility
3 summable inputs · 3 stereo mix buses · 8 sends (2 mono + 1 stereo w/ 3 assignable busses) · blend-capable insert · inline dual-path input design · full signal access via DB25 · 808/508 expansion bus and send modules.

Tracking/Mixing/DAW
DAW Mode mirrors classic inline console workflow — large fader sets DAW return level, small fader/pot sets tracking level, with seamless switching between tracking and mixing. In Summing Mode, each channel takes 4 inputs — a 24-channel console yields 96 inputs at mixdown.

Mix Bus "Tone Cards"
3 module slots — mix and match tones from Capi Red Dot, Tonelux, 990s, Melcore, or Nickel, each with multi-stage amplification and transformer coupling. Insert point with blend for bus compression or parallel processing. +4dBu operating level for headroom and low noise. 808M module adds even more tone options.

500 Series Expansion
Modular expansion via integrated 500 series slots. Drop in Wolff or 3rd-party preamps, EQs, compressors, and more. Buckets mount anywhere in a custom layout, including remotely in a rack, with full I/O routed to DB25 for internal or external patching.

Metering
Analog or LCD metering, mixed and matched per channel — classic analog ballistics or THD Labs LCD meters with fast response and multiple display modes. Monitor input, bus, or output levels, with insert points available for additional signal options. Grand Master meters auto-follow the selected monitoring source.

Fader Automation
Fully analog flying-fader automation — 100mm motorized faders with mute automation (THD Labs), relative and absolute modes, solo-in-place. Faders double as DAW controllers across a range of supported software.
Console Channel Strips
The Console ST has a unique intuitive channel strips for both Input and Master.

Input Channel Strip
The channel includes 8 total sends for cue feeds, effects, and bus routing, with cut and pre-fade controls. Send C can use EXT IN as a return, extra mixer input, or cue feed.
THREE VIEWS. ONE METER BRIDGE.
VU Digital Meters
Move by touch from familiar VU needles to channel bargraphs or a detailed analyzer. Console ST puts level, frequency balance, loudness, and stereo information directly in the meter bridge, so you can choose the view that suits the task.

CLASSIC NEEDLE DISPLAY
VU Mode
Eight large, amber VU-style meters give each channel a clear face and a familiar needle display. Compare channel-to-channel levels while making musical decisions at the console, with channel labels that keep the view easy to follow. Stereo A, Stereo B, Stereo C, and the grand master use the same VU presentation, carrying that visual language from individual channels through the stereo buses and the full mix.

VU + PEAK LEVELS
Bargraph Mode
Switch to bargraphs for a side-by-side view of eight channels. Separate VU and peak level bars share a consistent scale and color progression, making changes easy to scan across the display. Compare channels at a glance and follow moment-to-moment level changes while adjusting gain or balance. The compact layout keeps the channel overview together, so you can move between individual level decisions and the wider picture of the mix.

SPECTRUM · LOUDNESS · STEREO
Analyzer Mode
Look inside the mix with an FFT spectrum that shows energy across the frequency range. LUFS readings, loudness range, and a history graph help you follow loudness over time. A goniometer and correlation readout show stereo behavior, while the stereo-field display maps left-to-right activity by frequency. These views bring tonal balance, loudness, and stereo information together on one screen, with channel meters retained at the side for a quick level reference.

Build The Console of Your Dreams
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Explore the Options.
3 Types of Analog Summing
Why stop at one analong Summing Mode? With a Wolff Console you can route to 3 different Analog Summing Options.

Classic American tone
Get classic tone with this American op amp favorite
The Monitor Section Paul Wolff Always Wanted

Three speaker sets, level-matched and stored — switch from nearfields to mains and nothing jumps. A motorized knob, a fully analog path, and a front panel that never touches your audio.
Every button fires a relay through a microprocessor, so the signal stays pure analog while the control stays modern — Bluetooth input included. Eight talkback routes remember exactly who you want to talk to.

Award Winning Approval.
Pro Engineers Around The World Are Giving Their Approval.

Coming from numerous consoles throughout the years — this is a console that just makes sense. It was really well thought out.
Looking for Financing?
We team with All Media Capital to provide financing options to purchase your console.
Paul Wolff - 40+ Years of Analog Console Excellance

For over forty years, the best-sounding rooms in the world have run through Paul Wolff's hands. He's the man who ran API and made the 2520 legendary, who invented the 500 Series Lunchbox and earned a TEC Awards Hall of Fame induction for it, who founded Tonelux and Fix Audio Designs — and nearly everything he's ever designed is still being manufactured and sold today, because working engineers refuse to let it die. The Console ST is what happens when that lifetime of knowledge stops being scattered across a dozen classic products and gets poured into a single desk: hand-built in Santa Barbara, designed by the same obsessive who analyzes transformer laminations down to the alloy because he can hear the difference; and knows you can too.
But the ST isn't a tribute to the past; it's a rethink of what a console has to be now. Swappable tone cards let you re-voice your mix buses from clean modern British to classic American to vintage Paul Wolff warmth: three legendary console characters in one frame, changeable per song. An inline architecture turns 24 channels into 96 inputs at mixdown. DAW mode wraps a zero-latency analog tracking path around whatever software your clients bring in. True flying-fader automation comes standard as an option on a new analog desk, not a six-figure vintage gamble. And every relay-switched control, redundant pot, and field-swappable module exists because of Wolff's one unbreakable rule from a life spent in live rooms and sessions: never be the reason the music stops. This is the console forty years of excellence was leading to.

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